#Eventide h910 gearslut mod
#Eventide h910 gearslut Pc
#Eventide h910 gearslut plus
#Eventide h910 gearslut series

H910 Dual Stereo (cross-unit) Feedback can cause the incoming signal to shift up and then down continuously.

H910 Dual easily fattens and thickens instruments when assigning opposite pitch ratios.

H910 Dual recreates two H910 units running in parallel to create doubling effects and other unique sounds.

Mix Lock allows for scrolling through presets or settings while keeping the dry/wet mix constant.

Individually control delay outputs and dry/wet mix.

Create colorful, unique sound effects and drones through self-oscillation.

Delay rhythms and melodies to create everything from slap-back echoes to feedback chaos.

And now, following some stiff competition from other companies like Strymon and Eventide in the high-end market, they’ve really upped their game. Eventide Audio has released its new ShimmerVerb plug-in, which they say combines a massively lustrous reverb with parallel pitch shifters to add ethereal layers, making any signal 'shimmer.' This is what they have to say about it.

#Eventide h910 gearslut series

Modify pitch by musical intervals (diatonic) to harmonize vocals or solo instruments. The Japanese company launched the world’s first mass-produced digital delay pedal, the DD-2, in 1983 and the series continues to thrive to this day.

Optional “glitching” of original H910 hardware to create unpredictable sounds as it alters pitch.

Anti-Feedback modulates the pitch around unity for a subtle or wild effect.

Perform perfect pitch changes controlled manually, via MIDI or with Anti-Feedback.

True analog modeling of highly nonlinear electronics for faithful reproduction of the original H910’s juicyness and grit.

OUT2 Delay Group – adds inspiring attributes to your sound.

It offers various pitch shifting, modulation and delay-style effects, but it was the combination of these effects and its unique sound that went. The original hardware H910 Harmonizer by Eventide is said to be the world’s first digital effects processor. The built-in envelope follower makes exploring these possibilities easy. Eventide release their own version of the H910 effect plugin, this time with a dual mode. Engineers and producers discovered that sending a control voltage to the hardware H910 could be used to slightly (or massively) vary the pitch, creating entirely new sounds. In 1975 they revolutionized the audio industry by creating the world’s first commercially available digital audio effects unit, the H910 Harmonizer. And the H910 plugin is an exact digital replication of that classic processor. Since 1971, Eventide has remained at the forefront of recording technology. With its unique combinations of pitch shifting, modulation and delay, the H910 can be heard on countless ground-breaking works by artists from AC/DC to David Bowie to Frank Zappa.

#Eventide h910 gearslut Pc

The H949 provided a number of new features made possible by digital audio reverse effects, de-glitching and u PC -thereby formally introducing this new effect into the pro.

Envelope Follower – An envelope follower has also been implemented in this latest release. The H910 Harmonizer® was the world’s first digital effects processor. Eventide’s second Harmonizer, the H949, introduced in the mid-1970s, ‘fixed’ the randomness of the H910 by incorporating a rock-steady crystal oscillator.

With the H910 plug-in you can easily use MIDI to control pitch and harmonization in real-time.

Keyboard and MIDI mapping – The original H910 featured a keyboard remote control which was used live by several artists including Elton John.

It’s richly deserving of our Editors’ Pick Award. With a bit of delay and modulation, I created a perfect vibe that added lushness and ambience to my guitar tone.

Pendant des dcennies, les ingnieurs de studio ont.

#Eventide h910 gearslut plus

Elle est demeure l’un des effets les plus populaires du rack H8000FW. Cette rverbe massive et clbre a vu le jour sous la forme d’un algorithme dans notre rack DSP4000. For even wilder effects, you can map any combination of parameters to an expression pedal and control them in real time.įor that matter, I found the MicroPitch Delay is at its core a fantastic “always-on” sonic enhancer in my signal chain. Avec le plug-in Blackhole, tout instrument de votre STAN peut dformer l’espace et le temps acoustiques. It’s also terrific for creating syrupy chorus and ascending and descending delays via picking dynamics.

These last two methods are great for creating dynamically responsive pitch shifts (think Tony Visconti’s creative use of the H910 on David Bowie’s Low to create a pitch-descending snare drum). The circuitry on this card added a smart algorithm to pitch change, adjusting the transitions to better match voltages at the in and out points. Both Eventide (on the H949) and AMS partially resolved this by adding de-glitch cards.

This is a true dual program, where both left and right channels are processed separately. The Eventide H910 exhibited this, along with the early AMS Harmonizers.

#Eventide h910 gearslut mod

As mentioned above, the secondary mod parameter lets you choose from three types of pitch modulation: via LFO, via envelope to raise pitch, and via envelope to lower pitch. This program is designed to function like two Eventide H910 Harmonizer effects processors.